Textual content description supplied by the architects. Within the coronary heart of Bangalore’s increasing peripheries, amidst a panorama of dry earth and scattered industrial exercise, Parts of Nature emerges not simply as a advertising and gross sales workplace however as an orchestrated expertise, an architectural dialogue between construction, materiality, and the senses. Designed by Sneha Ostawal, founding father of Supply Structure, this 8,000 sq ft house is just not a typical industrial showroom. It’s a house that invitations guests to decelerate, take up, and really feel earlier than they’re even launched to the thought of possession.
Set inside a half-acre property in Hoskote, Parts of Nature occupies a key place alongside the primary street, standing as the primary level of engagement for the township’s improvement. This isn’t a lush, picturesque panorama; it’s a stark, dusty terrain, a clean canvas ready for transformation. Right here, the design doesn’t search to duplicate nature artificially however somewhat permits guests to expertise a cultivated stillness by mild, shadow, and an sincere materials palette that breathes with the setting.
A big, uninterrupted beige wall marks the doorway, rising from the bottom like a quiet monolith. It conceals as a lot because it reveals, prompting curiosity. A single picket door punctuates its expanse, designed to be found somewhat than seen from afar. The act of stepping by this threshold is a transition, step one into an area that unfolds slowly, one layer at a time.
The reception is the place the sensory expertise begins. The air feels cooler, subtle mild trickles in, and the textures underhand and underfoot are deliberately uncooked. A rammed-earth desk, sculpted with muted tones, stands unobtrusively within the house. As a substitute of standard chairs, two giant picket logs relaxation close by, not simply as seating however as sculptural parts that change with the passage of daylight. These logs, worn but tactile, anchor the house in a means that no polished furnishings may. The bamboo-clad facade filters mild all through the day, casting patterns on the microcement flooring, making certain that no two moments inside really feel fairly the identical.
Past the reception, the AV room turns into a second of enclosure. Stable partitions comprise sound, permitting a managed give attention to digital storytelling. Not like conventional advertising workplaces which are overwhelmed with promotional materials, this house is an immersive pause. The interiors stay muted, delicate, tactile supplies making certain that the visuals take priority. It’s an intimate expertise, reinforcing the undertaking’s ethos: that areas form feelings earlier than they form selections.
The assembly rooms lengthen this philosophy, designed not for transactional stiffness however for quiet engagement. A big, 12-foot picket desk grounds the rooms, its floor clean but marked with natural imperfections. Pure cloth seating enhances the heat of the wooden, whereas micro-cement partitions dissolve into the background, permitting the feel to take priority over color. There isn’t a sharp synthetic mild, solely a delicate, subtle glow that makes discussions really feel unhurried, private, and grounded in tactility somewhat than spectacle.
The cafe punctuates the sequence of areas with a completely completely different vitality. It’s a breakaway, an area for conversations that spill past negotiations, for moments of reflection with a cup of espresso in hand. Smooth curtains change standard blinds, shifting gently with the breeze, filtering mild in a means that softens all the pieces it touches. The seating is deliberate and minimal, but positioned to encourage interplay. The cafe is not only about comfort; it’s about fostering a slower rhythm, an unstated reassurance that making a house is as a lot in regards to the course of as it’s in regards to the place.
Stepping exterior, the transition to the outside areas feels easy. A kids’s play space sits adjoining to the cafe, designed to be each a visible and practical extension. Past it, an open garden serves as a gathering house, adapting to completely different wants; be it quiet contemplation or group occasions. After which, tucked right into a quiet nook, stands the yurt. The yurt is not only an architectural afterthought however an invite to rethink dwelling. It’s a prototype, a suggestion {that a} residence needn’t all the time be a everlasting, immovable construction. Constructed with regionally sourced supplies, its simplicity is its power, another for individuals who want to expertise the land earlier than totally committing to building. The yurt stands as a dialog starter, subtly shifting perceptions about flexibility in fashionable dwelling.
Sustainability is not only a characteristic of Parts of Nature; it’s embedded into its very being. The construction is completely dismantlable, framed in metal to permit repurposing after its lifecycle of 5 to 10 years. Bamboo cladding, chosen for its potential to biodegrade naturally, lends heat and tactility. Interiors are grounded within the uncooked honesty of supplies—untreated wooden, textured micro-cement, and delicate, pure textiles. This isn’t an area that makes an attempt to dazzle with opulence however one which urges guests to reconnect with the fundamental high quality of areas. Vastu rules subtly information the format, making certain an intuitive movement of motion. The senior administration cabins, positioned on the rear, keep a way of quiet authority whereas remaining clear by glass partitions. The design doesn’t impose itself, it permits motion, thought, and engagement to unfold naturally.
The success of Parts of Nature is not only in its aesthetics however in its potential to reshape expectations. It challenges the traditional gross sales workplace mannequin, proving that areas of commerce will also be areas of expertise. Guests go away not simply with brochures however with a lingering sense of getting stepped into one thing completely different, one thing thought-about, one thing that stays with them even after they step again out onto the dusty roads of Hoskote. As the sunshine shifts and patterns of shadow transfer throughout the bamboo facade, the house continues to evolve; alive in its stillness, expressive in its restraint. Parts of Nature is not only an workplace; it’s a quiet manifesto for the way structure can evoke emotion, create connection, and switch one thing as routine as a gross sales interplay into one thing profoundly memorable.
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