Taapsee Pannu shared this picture. (courtesy taapsee)
Highlights
- “First day of shooting with the fierce Amrita Singh,” wrote Taapsee
- “I would’ve loved to click a picture with her that day,” she added
- “It’s so cool to see her so excited and nervous,” Taapsee wrote
New Delhi:
Taapsee Pannu has been actively sharing throwback footage from her movie units. On Friday, she posted an image of herself from the units of her 2019 thriller movie Badla, during which she co-starred with Amitabh Bachchan and Amritra Singh. Taapsee shared a prolonged be aware for Amrita Singh on her Instagram profile. Amrita Singh, who’s a social media recluse, despatched the actress a thanks be aware with a bit of assist from her daughter Sara Ali Khan. On her Instagram story, Sara posted a screenshot of Taapsee’s publish and she or he wrote: “Thank you so much Taapsee. Amma sends you a big hug.”
Here’s what Sara posted on her Instagram story:


Screenshot of Sara Ali Khan’s Instagram story.
Taapsee Pannu, in her in depth be aware for Amrita Singh, wrote: “This picture I clicked while we were shooting for the interval sequence of Badla. First day of shooting with the fierce Amrita Singh. I don’t know if it’s the Sardarni in me or the no holds barred way of life that connected us and it’s so cool to see her so excited and nervous to approach her scenes like a debutant wanting to do her best and listening to the director with the intention to do her best. One of the rare actors who has a very nonchalant depth in her performance. I would’ve loved to click a picture with her that day but she was too busy rehearsing her bhaari lines while I didn’t have much to say in the scene and I didn’t want to disturb her.”
Read Taapsee Pannu’s publish right here:
Badla, a crime-thriller directed by Sujoy Ghosh and produced by Shah Rukh Khan’s Red Chillies Entertainment, acquired largely constructive critiques. Film critic Saibal Chatterjee, in his overview for NDTV, gave the movie three stars out of 5 and wrote: “Badla is a crime thriller that lifts itself out of the limitations of the form by spotlighting questions of guilt and retribution without diluting its edgy quality.”
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