Textual content description offered by the architects. Positioned in Prospect Heights of Brooklyn, the Fujianese restaurant Nin Hao has a given area that’s 16 ft tall with considerable daylight coming from its south and east-facing curtain partitions. Subsequently, the sense of transparency is omnipresent on this area. Two supplies that work together with mild otherwise have been carried out surrounding the eating area -translucent Austrian curtains alongside the home windows soften the daylight, creating a delicate interaction between mild and shadow. This filtered mild, in flip, displays off the polycarbonate-paneled wall on the alternative aspect, diffusing all through the area and contributing to an environment that feels ethereal, shiny, and ever-changing.
Because the solar units, the tall polycarbonate-paneled wall transforms right into a glowing lantern, illuminating the area and the curtains, which creates an intimate and comfortable lounge ambiance. Pendant lighting fixtures, together with a collection of floating parts glimmering with heat lights, greet visitors and passersby on Dean Avenue.
Beneath the translucent curtain and clear partitions, cement tiles with totally different shades of heat grays, which have been knowledgeable by Chinese language grey bricks, develop into the dominant surfaces in numerous kinds that visitors can contact, lean on, or sit in, and linear planters alongside the curtain wall to deal with the succulent greens. Opaque and translucent, tough and smooth, conventional and modern, a collection of contrasting pairs in dialogue echoes Nin Hao’s ethos, which embraces its cultural roots whereas embodying a recent spirit and a well-adventure.
The 2 themed loos are adorned with custom-made mosaic tiles representing two iconic work—”Spring Morning within the Han Palace (1494-1552)” by Qiu Ying and “Hudson River Valley from Fort Putnam (1855)” by George Henry Boughton. Moreover, one of many loos contains a two-way mirror that gives a view of the eating area whereas sustaining privateness—additional heightening the sense of shock and journey within the restaurant. Nin Hao needs to be a welcoming place for the native communities and other people with totally different cultural backgrounds. With this spirit in thoughts, the eating area can be a canvas that invitations engagement. A inexperienced spherical desk with a rotating tray might be transformed to a Mahjong desk; a 12-foot-long eating desk in vibrant pink invitations exchanges between visitors.
The design incorporates a versatile framework that permits the restaurant to evolve with seasonal themes and curated art work. The 17-foot-wide west wall left deliberately minimal, serves as a platform for rotating artwork installations, whereas a versatile ceiling grid system helps sculptures and lighting that may change with the seasons, providing new views on the area over time. Right here, the interaction of supplies, cultures, and artwork fosters a way of ongoing transformation—each within the area itself and within the minds of those that collect inside it.
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