“The Unplanned Home Prototype” emerges as a vital experimentation in an 80 m² condominium situated in a constructing erected in 1966, because of the insurance policies of the Stabilization Plan of 1959 in Spain. This plan, aimed on the nation’s financial restoration, promoted the creation of minimal, standardized, and compartmentalized housing, with the target of functionally separating home life and making it extra environment friendly. On this context, the condominium was configured underneath the inflexible premises of the nuclear life mannequin of the time, characterised by closed and restricted rooms.
In response to this legacy, the Unplanned Home Prototype reevaluated the necessity to adapt to new types of coexistence rising within the twenty first century. Slightly than perpetuating the unique standardization, the area deforms and expands, each bodily and conceptually. Thus, it proposes a dwelling that multiplies and integrates into different ecosystems, celebrating the variety of social relationships and native methods of life, whereas advocating for a versatile and unregulated coexistence of future inhabitants.
The central ingredient of the intervention is a curved wall of glazed ceramic that challenges the logistical conventions of conventional home storage. Past and round this curved wall, a sequence of pantries, cabinets, kitchen cupboards, bogs, cabinets, and closets are positioned, reworking it into each an aesthetic part and, on the identical time, a social agglutination and reflective ingredient. At one in all its vertices, the wall merges with a mirrored showcase that conceals typical family home equipment. Concurrently, a sandstone portal from San Sebastián— essentially the most generally used stone within the area—segments the wall and divulges, in its personal materials part, the geological layers of the encircling panorama and the strategies of extraction from native quarries.
The area is complemented by a sequence of cellular gadgets. An elevatable island, constituted of reused nationwide granite and crafted from discarded constructions from native carpentry workshops, has the flexibility to orbit in area, rising its adaptability to completely different contexts and social assemblies that encourage interplay. Furthermore, using native supplies, reminiscent of reused tree roots for stool and carpentry techniques product of aluminum and metal sourced from the close by metallurgical trade, together with recycled aluminum tube chairs and cellular inside vegetation provided by an inner irrigation duct system, reinforces the reference to the atmosphere and the understanding of the productive panorama that transcends the prototype’s perimeter.
This prototype is proposed as an experiment that seeks to offer options to up to date housing reform points, integrating sustainability, adaptability, and contextual reflection of the affected ecosystems as central axes of its design.
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